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I bring up the blockbuster di tutti blockbusters, The Avengers, the billion-dollar-grossing amalgamation of all the previous movies. What kind of ego adjustment does an actor have to make when he transitions from his own vehicle to a set full of superheroes? "It's so nice," he says, sighing almost wistfully. "I love getting to be in The Avengers. You just breathe a little bit. It's not all about you. It's so nice to have other people bearing the burden of responsibility.

So what's it like working for Marvel? Is the company more than just another bunch of executive overlords? "Oh, it's a cool corporation," he says, eagerly. "It's got the Midas touch. It would be one thing if they were kicking out crap but they're just consistently making good movies that are consistent successes. And they're people who really care about movies. I saw this great documentary about indie movies and they made this analogy to restaurants. You want to eat at a restaurant where the people who own it really enjoy good food, where they're not just doing it for the money. You don't want to go to the [US restaurant chain] Olive Garden where the model is low cost/high income. Marvel, even though they're these massive movies that should just be a money-making machine pumping out product, at their heart they're comic-book fans."

There's no fighting over who gets the cool entrances or the big action set-pieces or the most hilarious one-liners? Evans regards with me derision. "That's not coming from me. Anyone who knows me knows I'm perfectly happy with less is more. Whatever you want me to do. I'm happy to be here. I'm not trying to steal the show. I tend to shy away from – I don't want to say the spotlight – how about responsibility? It's just very daunting. These movies are very intimidating. Captain America. This is the stuff I struggle with.

Months before The Winter Soldier's release, a third movie, also directed by the Russos, was announced. That means Evans will have played Captain America in three of his own movies plus two Avengers films. He has also played the Human Torch in two Fantastic Four films and his filmography includes Edgar Wright's Scott Pilgrim Vs The World and The Losers, both graphic-novel adaptations, as well as the teens-with-mutant-powers film Push. That's a lot of comic-book roles for one career. Is that by design or just what's out there? "I think it's more the latter. There just happens to be a big influx of comic-book movies, but the truth is, it's much like making a movie based on a book. There's great stories, there's developed characters, there's structured arcs, there's a built-in audience. It makes sense that a studio would want to make films out of those pieces of work. It just worked out coincidentally that I was in a string of them."

Does he foresee the onset of superhero fatigue? "Possibly. But I would also say that a lot of people who see superhero movies for the first time don't have much prior knowledge of the characters. So in a lot of ways, if a superhero movie is done well, it's not just about the fact that they have powers. There's a human element there as well. There's a connection to the character. You liked the first Iron Man movie not just because Tony Stark flies around; you like Tony Stark. You might as well ask me whether there's going to be movie fatigue."

Before the interview ends, I am unable to stop myself asking Chris Evans if he is aware of the British Chris Evans. He struggles for a moment before coming up with, "He's… a talkshow guy?" You're the better Chris Evans, I reassure him. He shrugs in bemusement at what is, to him, a meaningless compliment. So here's a better one: with Captain America: The Winter Soldier, Chris Evans has just vaulted to the top of the superhero food chain.